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Lord of PR
Pete Hodgson - AKA 'Minister of the
Rings' - dubbed "the most intelligent politician I have ever met" by National
Post journalist, Cleo Paskal, in her article on the government-supported
LotR publicity machine. "It is his job to 'maximize the opportunities
to NZ from the Lord of the Rings film project.' And he has done a very
good job ...
The
goal was to use the films as nearly 10 hours of product placement for NZ's
tourism, technology and film industries. It was an unprecedented, ambitious and
innovative idea - much like the film itself."
(27 December 2003)


Rings-led revolution
"New Zealand has had a day like
no other". The world premiere of The Return of the King in Wellington outshone all
expectations, with a 100,000+ crowd lining the route of the spectacular
grand parade in glorious Wellington sunshine. Actor Sean Astin described the event as "a moment of great
national pride ... it feels like a little bit of history here." Massive
world-wide coverage confirmed the hype:
Guardian,
Salon,
Independent, CNN,
Taipei Times,
Arizona
Republic, San
Francisco Chronicle ... The
Scotsman proclaimed "Forget Hollywood. Welcome to Wellywood, the new
film capital of the world." A
Sydney
Morning Herald feature perfectly captured the magnitude of the trilogy
in terms of propelling NZ onto a world stage: "The work that was put together to make Gollum or to do the orcs
or to do the big military scenes is simply the world's best ..." Of all the industries
brushed by Rings magic - from post-production houses to fabric producers
- tourism has benefited the most; NZ's $6 billion tourism industry is expected
to overtake dairy as the nation's largest export earner next year. For the man
at the helm, Peter Jackson, the premiere was stunning affirmation as Wellington
turned on the crowd and a perfect wind-less day. Even the usually sober Economist falls
under the spell: "Wellington's film-makers are enjoying their
close-up." PJ: "I'm feeling incredibly humbled by this wonderful
reception."
(01 December 2003)


Winning ways continue for Whale Rider
International plaudits
continue to come for Niki Caro's 2002 hit, Whale Rider. Whale Rider
beat Hollywood blockbusters 28 Days Later and The Wild Thornberry's
to win the feature film category at the 2003 Environmental Media Awards in LA,
was nominated for Best Foreign Film at the
Australian Film Institute Awards (first place went to Peter Jackson's The
Two Towers), won the adult vote in the
Bafta children's awards, and was tipped by Variety magazine as a "scrappy
contender" in the lead up to the 2003 Oscar nominations. The story of
an East Coast Maori community also provided the focal point of a National
Geographic feature on 'The
Fight For Indigenous Films.' Frustrated by the rarity of such indigenous
stories as Whale Rider and (Inuit) Atanarjuat reaching the
silver screen, National Geographic recently launched the All Roads Film
Project, "to
reflect the rainbow of faces that make up our cultural universe, and inject a
broader range of experiences into mainstream culture." The film's
soundtrack - by ex-Dead Can Dance lead, Lisa Gerrard - was praised in the
September issue of Mojo magazine: "Gerrard couples her muezzin-like
glossolalia with the rich Polynesian traditions of vocal music to paint an
evocative picture of a culture in uneasy liaison with the 21st century."
(18 November 2003)


The price is right
New York Times feature addresses Peter Jackson’s
record-breaking US$20 million salary for Universal’s King Kong remake,
deciding he is more than worth the dollars. Jackson, with his collaborative team
of Fran Walsh and Phillippa Boyens, provides the perfect package for today’s
special effects laden blockbusters; by signing him to a project, a studio
receives a tight-knit director/writer/producer unit, as well as one of the
world’s leading effects houses (Weta Digital). “There aren't that many directors
to whom studios would pay that kind of money. There aren't that many directors
whose movies have stratospheric box office of $800 million to $900 million
worldwide.” Jackson’s high-rolling stable-mates, as listed by the NYT,
include Steven Spielberg, the Wachowski brothers (Matrix trilogy), Robert
Zemeckis (Forrest Gump), and George Lucas. An
Observer feature identifies him as leader of the high-end Hollywood
pack: "No
director has masterminded three movies back to back like this, still less done
so with such a giant commercial splash. The Wachowski brothers' Matrix trilogy -
or rather hit Matrix movie with two sequels - did well financially but
disappointed critically. And the jury is out on George Lucas's Star Wars
prequels."
(28 October 2003)


“Dark fairytale” played out
on the edge
Gaylene Preston and Rachael Blake – NZ director and Australian star of
Perfect Strangers – speak to the Age about filming on the South
Island’s rugged West Coast. Preston used the sense of physical unease to the film’s
advantage: “I remember thinking during the shoot that it was so much better
where we were than everybody being in comfortable green rooms and everything
being done in a studio.” The Age critic agrees: “The result is a little
like a dark fairytale … it’s clear that Preston pushes her characters as close
to the edge as she does herself and her cast.”
(19 October 2003)


Watching wildlife world-leaders
Kiwi production company NHNZ scooped three
awards at the 2003 NaturVision wildlife film festival held in Munich, Germany.
The Case of the Baby-Faced Assassin (above) – a documentary on Australia’s
nocturnal carnivorous marsupial, the quoll, by Rod Morris – beat out 149 entries from around the
world to take the Grand Prix award. Tropic Gothic – Ruth Berry’s program
exploring the history behind a settler’s cottage in North Queensland – picked up
both the Best Innovation and Youth Jury Prize. NHNZ also received two bronze
“Chris Awards” at the 51st Columbus Film & Video Festival, and is one of four
television companies in the world to be asked to compete for this year’s
distinguished Prix Jules Verne award at the
Image et Science
festival in France. Managing director, Michael Stedman: “NHNZ’s science
programmes span the frontiers of scientific, technological and biomedical
research to reveal the cutting-edge discoveries which are shaping our lives.”
(2 October 2003)


Amazing win
New Zealand Edged Phil
Keoghan (with wife Louise, above) as host was among the Emmy
winners for his role in The Amazing Race, the Jerry Bruckheimer
produced reality show that picked up Outstanding Reality/Competition Program at
the US TV industry's most prestigious awards. The globe-trotting show ("the
critical darling of the reality TV genre") has recently been green-lighted
for a fifth series by CBS.
(23 September 2003)


Behind every great woman…
NZ-born producer, Linda McDougall, interviewed in the Sunday Times about
her Channel 4 documentary, Married to Maggie: Denis Thatcher's Story.
McDougall collated interviews with the former British PM and her late husband -
many of which were conducted by their daughter Carol - to produce an alternative
view of the one-time power couple.
(11 August 2003)


International bright young thing
Anna Paquin talks dogs, dorm-living,
Degas and "living long distance" with the Independent. Currently studying art
history - between films - at Columbia University, Paquin will next be seen
alongside Joaquin Phoenix and Ed Harris in the barbed US army satire, Buffalo
Soldiers (helmed by Australia's Gregor Two Hands Jordan and described
as "Bilko with drugs"). In an interview with the Miami
Herald, she talks about her international upbringing. "Culturally,
all my reference points are from my years in New Zealand," says the
Canadian-born actress, before conceding that, "I've travelled so much I
don't really know where I'm from anymore."
(27- 30 July 2003)

Return of the Native?
As Whale Rider premieres in the UK, the Guardian
ponders its impact as NZ and Maori cinema, and the cultural factors at play. "[A]longside
the celebration in New Zealand's film industry, there has also been a measure of
soul-searching: why, many wonder, has it taken so long to put Maori stories back
on international screens after the early 1990s successes of Once Were
Warriors ...? [...] Maori represent one of the most vigorous and assertive
indigenous cultures in the English-speaking world, but their impact on film has
been relatively small."
(11 July 2003)


The many faces of Cliff Curtis
Tribune feature on
Cliff Curtis tracks his career trajectory from Once Were Warriors to Whale Rider.
While the two movies appear vastly different in subject and style, Curtis is
quick to point out a crucial shared message: "[Both films celebrate] the
strength of our women, specifically Maori women, to hold our families together,
our communities together, often in cases where our men are failing." Curtis
has also made a name for himself in Hollywood as an ethnic chameleon, playing
everything from an Iraqi resistance leader in Three Kings to a tattooed
Chicano in Training Day. His next role is in The Runaway Jury
- a John Grisham adaptation starring John Cusack, Gene Hackman and Dustin
Hoffman. Curtis plays a Cuban-American ex-marine.
(22 June 2003)
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Queen of the castle
Exuding star quality while remaining "refreshingly
down-to-earth", Whale Rider star Keisha Castle-Hughes, feted in
the New
York Post, The
State, and the Seattle
Times and is cover-girl in Hawaii's Weekend Star Bulletin.
Meanwhile director Niki Caro's script was awarded a US$10,000
Humanitas Prize as the film
continues to ride high in North American theatres. The LA Times calls it the "most
lyrical and unique film … so far this year," and the Toronto
Star demands that director Niki Caro "be added to any list of
emerging talent."
(June 2003)

Rings wins double at Saturns
Peter Jackson's Lord of the Rings:
The Two Towers was a multiple winner at the 29th annual Saturn Awards - a
joint presentation of the Academy of Science Fiction, Fantasy and Horror Films
and Mania Entertainment's Cinescape magazine. Two Towers was
judged best fantasy film and Andy Serkis (Gollum) best supporting actor.
(21 May 2003)

Tom cruises off
Actor Tom Cruise has bid farewell to Taranaki, the place he called home for the
past 4 months. The Hollywood A-lister was on location filming The Last
Samurai; an epic-scale production which has proved an economic boon to the
region. Said Cruise, widely adopted as the Naki's favourite son; "I'm going
to miss the fish and chips … [and] the beach at night."
(9 May 2003)


FAQ: "Why (oh God, why)?"
NZer Simon Jansen profiled as online icon of the week in The Scotsman's
"lazy guide to net culture." Jansen is a master of asciimation; making
moving pictures out of letters, numerals and punctuation marks. His epic work -
which he began in 1997 - is asciimating the original Star Wars film. Scotsman:
"You won't be amazed by the special effects but rather by the sheer effort
that has gone into translating a multi-million dollar blockbuster from expensive
celluloid to a series of numbers and letters."
(30 April 2003)

Teen angst pays off
Wellington actress Michelle Ang has
been nominated for Australia's premiere television award (a Logie) for her role
in Neighbours. Ang, who has previously appeared in The Tribe and McDonalds
Young Entertainers, is entered in the Most Popular New Female Talent
category. Fellow Kiwi Lisa Chappell is also nominated for the vaunted Gold Logie
for her role in McLeod's Daughters.
(17 April 2003)

Jackson (and NZ) goes ape
Watch out Sky Tower: Peter Jackson is to direct a remake of King Kong
for Universal Pictures. The epic production will be filmed on location in NZ
and released globally in 2005. Says an elated Jackson; "No film has
captivated my imagination more than King Kong. I'm making movies today because
I saw this film when I was 9 years old. It has been my sustained dream to
reinterpret this classic story for a new age."
(30 March 2003)

Jackson fan club continued…
Michael Scragow, former staff writer for The New Yorker and Rolling
Stone, airs his opinions on this year's Oscars. "I am just floored that
Peter Jackson was not nominated for best director … I don't think there has
been a fantasy film in movie history as faultlessly acted, as magnificent in its
scope and invention, and as enthralling in its narrative drive as I'm sure the Lord
of the Rings trilogy will turn out to be."
(22 March 2003)

Winning-over Delhi bellies
The Taj Palace Hotel in Delhi held a NZ food festival in honour of The Two
Towers' Indian release. The event, organised by the NZ Trade Commission,
aimed to win the hearts of business visitors and tourists by appealing to their
stomachs - a tried and true technique.
(16 March 2003)

Toy Love a "clear winner"
NZ comedy Toy Love has won the Audience Award at Portugal's Fantasporto 2003
film festival. Says writer-director Harry
Sinclair; "I'm thrilled about the award. It's a highly respected
festival, so it will certainly raise the film's profile in Europe. Those
Portuguese know a good comedy when they see one."
(6 March 2003)


Audience award for Two Towers
The Two Towers picked up three BAFTAs,
including the audience-voted Orange Film of the Year. The other two awards were
for costume design and achievement in special visual effects. The Two Towers also
won Best Original Score at the American Grammy awards.
(23 February 2003)


Jackson cuts down
Peter Jackson has announced his next
film project and it's not The Hobbit or King Kong. Taking a
much-needed break from the epic-scale, Jackson is rumoured to be adapting
medical history for the screen with a New Zealand edge. The subject: the book As Nature Made Him -
Rolling Stone journalist John Colapinto's account of the consequences of NZ-born doctor
John Money's decision to
raise the victim of a botched circumcision as a girl, supporting Money's
controversial theory that nature mattered more than nurture in gender identity.
see the NZEDGE post-script on the (in)famous case here.
(31 January 2003)


In the footsteps of Frodo
The inevitable spate of Rings-related
travel articles continues, with major features in the Scotsman and
New York Times. The Scotsman writer - who walked the Tongariro
Crossing and Routeburn Track, and sailed Milford Sound - "left with an almost
reverent love for landscape that I saw ...
Put simply NZ is the most
beautiful place in the world that I have visited or expect to visit in my life."
The Times explores the official
Rings tours on offer; the Trilogy Trail, Red Carpet Lord of the
Rings, and Anywhere-Anytime Tours.
(2003)

Weta puts out feelers
New York-based Ohio Edit is to represent Weta Digital on the US commercial
circuit. Company heads Peter Jackson and Richard Taylor decided that their
acclaimed effects house would benefit from small international projects in
between the epic-scale productions for which they are now known. Jackson calls
the move "a smart way to keep everybody busy throughout the
year."
(2003)

News lexicon
"The real Middle Earth" features in the annual BBC round-up of
new additions to the media lexicon. The official definition: "The country
formerly known as New Zealand. An NZ government minister has been appointed
unofficial 'minister for Middle Earth' to ensure the country capitalises on its
new exposure."
(1 January 2003)
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Would the real Middle Earth please stand up?
"Tolkien may have intended The
Lord of the Rings as an epic myth for England, but even he would
acknowledge ... that the world of Middle-earth and the tiny nation of NZ had
become inextricably and intimately intertwined." A lengthy Age feature
sums up the impact the LotR phenomenon has had - and continues to have -
on NZ national identity. "With the NZ landscape being as big a character as
Frodo, the films have become symbols of national pride, have seeped so deeply
into the national psyche that the premiere felt more like a celebration of
global conquest than the opening of a movie ...
More than a filmmaker, a
national hero - again with the aura of a victorious general freshly returned
from battle - Peter Jackson has become so associated with the Lord of the
Rings that he almost shares authorship with Tolkien ...
Jackson and the other producers of the
Rings trilogy have created a new high-water mark in intelligent marketing
with the way they have maintained the Lord of the Rings brand name over
three years in an overcrowded movie market."
(27 December 2003)

 More glowing PJ praise
Sydney
Morning Herald awestruck by the premiere, wonders how PJ managed to pull
off "the trilogy of a lifetime" Operatic high praise from The
New Yorker who credits the trilogy with reviving "the art of
romantic wonder." The
Observer: "Jackson
is just about the most famous man in NZ history and his films have the
distinction of having been declared the semi-official standard bearer of
national pride ... And after the world premiere of the final episode, Return
Of The King ... they are all but inventing a new haka for him."
(1 December 2003)
Sydney
Morning Herald awestruck by the premiere, wonders how PJ managed to pull
off "the trilogy of a lifetime" Operatic high praise from The
New Yorker who credits the trilogy with reviving "the art of
romantic wonder." The
Observer: "Jackson
is just about the most famous man in NZ history and his films have the
distinction of having been declared the semi-official standard bearer of
national pride ... And after the world premiere of the final episode, Return
Of The King ... they are all but inventing a new haka for him."
(1 December 2003)


Here's to you, Ms. Caro
Whale Rider director, Niki Caro, was named one of Ms. Magazine’s
women of the year for 2003, alongside Salma Hayek, Eileen Fisher, and Loune
Viaud. The US feminist publication recognised Caro as continuing an impressive
line of female directorial talent – and female power figures in general – coming
out of NZ. “The NZ film industry has produced stellar female directors such as
Alison Maclean and Jane Campion, so Caro says, “I feel like I’ve never really
had to fight to be a feminist or a filmmaker.” She proudly notes that NZ was the
first country to grant women the vote and that its three most powerful
government leaders—the prime minister, the chief justice and the
governor-general—are all women. Caro says she set out to make a film about
leadership. “Stories about girls Pai’s age tend to be about sexual awakening. I
wanted to tell the story of how Pai awakens to her own strength and power,” she
explains. “I was more interested in raising the question of what makes a great
leader and how these leadership qualities show up in the heart, mind and spirit
of a young girl.”
(December 2003)


Wetawood
Two LA Times features look at the phenomenal success of Peter
Jackson's Miramar-based empire; Weta Digital, Weta Workshop, and the Film Unit.
The challenge meeting Jackson's business is keeping the
world-class staff he amassed for the now completed LotR trilogy busy
enough to resist the temptation of the US dollar until work begins on Jackson's King Kong in 2005.
The lord rests
in a NYT interview, but no
break for PJ. The
man himself is portrayed in the features as "in
many ways ... following in the footsteps of Star Wars creator
George Lucas, the only other director to establish his domain outside of
Hollywood and have a lasting effect. The development of Jackson's production
power is a reflection of the Hollywood rebel. Friends describe him as focused
and fiercely loyal, an iconoclast with a love-hate relationship with Tinseltown."
(23 November 2003)


"Round the horn if you dare"
Russell Crowe graces the cover of
Time, prior to the release of his latest film, Peter Weir's acclaimed
maritime epic, Master and Commander.
His edge? "Hanks, Cruise
and ladies' champ Julia Roberts are the gracious wits audiences like to imagine
themselves as, but they are also prisoners of their own goodwill, condemned to
deliver endless variations on the same performance. Crowe can play anything
because he has conditioned audiences to expect anything. He is smart enough to
possibly be given credit for premeditating this eremitic media strategy; he is
also obstreperous enough simply to hate having his privacy invaded.” Crowe
masters kayaking on Sydney harbour's commanding views below.
(2 November 2003)

Perfect Strangers: gales humour
Sam Neill, Rachel Blake
(Lantana)
and Joel Toebeck star in Gaylene Preston's genre-bending twisted-tale of a pick
up gone wrong on the South Island's rugged West Coast or, "chick flick -
deconstructed ... subversion of the Cinderalla story" as Sam Neill
describes it, interviewed
in the SMH. David Stratton in Variety: "Preston's best work
in film to date ... Blake is sensational." Evan Williams in The
Australian: Preston has come up with something "stylish, funny, and
disturbing. And it's a genuine original. Preston balances the shifting
moods and layers of the story with great skill ... there are dazzling touches of
visual invention ... Alun Bollinger's camerawork is beautifully atuned to the
lonely desolation of the landscape." Williams name-checks Zemeckis, Mostow
and Speilberg as directors who've handled the same material, but warns that,
"Preston has deeper ideas in store".
(11 October 2003)


Littler fish to fry
Fresh from US horror flick The Ring
and Bollywood musical Bride and Prejudice, Kiwi actor Martin Henderson is
to star alongside Cate Blanchett in the Australian film, Little Fish. Set
in Sydney’s ‘Little Saigon’ district, Little Fish tells the story of
Tracy Heart (Blanchett); “a woman swimming against the pull of the past.” Rowan
Woods (The Boys) directs.
(8 October 2003)

Watt's up Jackson?
Peter Jackson has reportedly
asked Australian actress Naomi Watts (Mulholland Drive, The Ring) to play
the female lead in King Kong, which begins shooting in Wellington this
November.
(22 September 2003)


Rings exhibition lord of museum toll-gates
The Lord
of the Rings
exhibition opened at London’s Science Museum in September, and has
already proven to be the most successful show in the institution’s history.
Developed and presented by Te Papa, over 14,000 advance tickets were sold prior
to the public opening of the show that looks behind the scenes at the technical
and artistic achievement underpinning the trilogy. Master of effects, Richard
Taylor: “Without a doubt it was the biggest challenge of my career […] This
will be watched by grandparents with grandchildren on their knees 60 years from
now.”
(15 September 2003)

Paramount acquires Antipodean direction
Andrew Dominick - the NZ-born
director behind hit Aussie film Chopper - is soon to make his mark on the
US movie scene. Dominick has been signed to develop and direct The Demolished
Man for Paramount Pictures. The film is based on the best-selling science
fiction book by Alfred Bester about a future where crime is controlled by
telepathic citizens.
(4 August 2003)

Whale Rider vs. Hulk
Whale Rider was one of four 'art
house' films to be awarded lottery grants by the UK Film Council, in an effort
to bring a wider variety of works to British cinemas. The money will be used to
make more prints, giving the film the chance to compete in distribution against such big-screen
monopolisers as Hulk and T3.
(25 July 2003)

A view from Down Under
A forum for ex-pat NZ, Australian, and
South African amateur filmmakers living in London - the UpOverDownUnder film
festival - is now in its third year. Over that time, the festival has gone from
a one-off show to a five-night event, which showcases recent Australasian and
South African cinema releases as well as short films by the up-and-coming. The
event was set up to promote "fresh perspectives on life in English
capital."
(19 July 2003)


Narnia to Aotearoa
The multi-million dollar production of The Lion, the Witch and the Wardrobe
is now likely to be shot substantially in NZ, following the government's decision to allow a
tax-exemption grant for film companies shooting in Aotearoa.
Helmed by NZ-born director, Andrew (Shrek) Adamson, the film will be
the first of a possible series of five adaptations of C.S Lewis' Narnia
chronicles. Adamson predicts a LoTR-like boost to the country's film community and economy.
"As
Wellington became Middle-earth, there's a good possibility that locations in New
Zealand will become Narnia." From the land first to the sun, "time is
money." Adamson tells the LA
Times.
(2 July 2003)


Mita takes pride of place
Maori filmmaker Merata Mita
was the star guest at Montreal's 13th First Peoples' Festival last month - a
celebration of the world's aboriginal cultures. The Cinematheque Quebecoise held
a retrospective of her work - which includes Bastion Point, Mana Waka,
and Hotere - from June 14-22. Mita also spoke on the significance of Whale
Rider's success in the Montreal Gazette: "Events like Whale
Rider help in our transformation from self-hatred to pride. [The film]
allows us to say that our culture has depth and it has beauty and the resilience
to survive all these centuries."
(14 June 2003)


Bollywood Hills
NZ based Bollywood
production company - Kuran Films - cottoned on to the the country's scenic
opportunities well before Lord of the Rings. Established in 1993 by Kamal
Singh, Kuran now has 80 films to its credit - shot mostly in the South Island.
The recently wrapped Main
Prem Ki Deewani Hoon (Crazy for Love) is already being hyped as Bollywood's film
of the year.
(25 May 2003)

Jeffs with best
Christine Jeffs' acclaimed feature, Rain,
was included in the second series of the Zahir Raihan Film Society's Best Films
of 2002, joining Philip Noyce's The Quiet American and Mike
Leigh's All or Nothing. The retrospective series was held to mark the
18th anniversary of the Society's founding.
(20 May 2003)


The art of myth-making
Whale Rider director Niki Caro speaks to The Age about the
intricate cultural process involved in a "white woman" making a Maori
film. Despite early resistance to her involvement, and her subsequent
self-doubt, Caro feels vindicated by the remarkable emotional response the film
has elicited around the world and, most importantly, in NZ. "It's just a
total lovefest … For a lot of pakeha people it's opening the Maori world up to
them, the Maori world that I know, which is very positive and strong and
important and spiritual … The film offers a little portal into it, and I think
people are really grateful for that."
(9 May 2003)

In his father's image, the shadow of a mountain
Peter Hillary interviewed about his own Everest experience and his part in the
filming of National Geographic's documentary, Surviving Everest.
"Our challenge was not just to climb, but to make the film about the climb.
It wasn't easy … One important point, if mountaineering is your cup of tea,
never take Everest for granted."
(27 April 2003)


Lately I've been lost it seems ...
Jane Austen spiced-up
Gurinda Chadha - director of
international hit Bend it Like Beckham - has cast Kiwi actor Martin
Henderson as Mr Darcy in her musical version of Pride and Prejudice.
Henderson, most recently seen in US horror The Ring, will star opposite
Bollywood actress and former Miss World, Aishwarya Rai. The two actors will
accompany Chadha to the Cannes Film Festival in May to finalise a deal.
(14 April 2003)


Local film; universal message
Niki Caro's Whale Rider was the
star attraction at the annual Boston International Festival of Women's Cinema.
According to organisers, the "breathtakingly luminous" film perfectly
captured the festival's central theme of "becoming the person you are
destined to be." The incredible performance of young lead Keisha
Knight-Hughes is previewed, and the actress profiled
in the Sydney Morning Herald.
(30 March 2003)

Voters under Ring's influence
The Lord of the Rings trilogy was voted second most influential movie/s
of the last 75 years in a poll for BBC News Online, ahead of Citizen
Kane, the Godfather series and 2001: A Space Odyssey. First
place went to George Lucas' Star Wars series.
(22 March 2003)
The Lord of the Rings trilogy was voted second most influential movie/s
of the last 75 years in a poll for BBC News Online, ahead of Citizen
Kane, the Godfather series and 2001: A Space Odyssey. First
place went to George Lucas' Star Wars series.
(22 March 2003)


What becomes of the faint-hearted?
Monica McWilliams of Northern Ireland's Women's Coalition names Once Were
Warriors as her all-time favourite flick in a survey by Belfast Film
Festival organisers. She describes it as "a powerful role for a strong
woman," and one "certainly not for the faint-hearted".
(16 March 2003)

Peace Fest
NZ feature The Price of Milk is to screen at the inaugural Kuala Lumpur
World Film Festival. The festival, held in conjunction with the 13th Non-Aligned
Movement Summit (NAM), is appropriately themed "Peace, Harmony,
Non-Violence and Non-Discrimination."
(13 February 2003)


Crowe KO's the competition
Empire's 2003 awards had a strong NZ flavour, with Russell Crowe picking
up Best Actor and Peter Jackson and The Two Towers winning Best Director
and Best Film. In other Crowe news, the NZ-born actor is soon to portray 1930s
boxing champ Jim Braddock in Cinderella
Man. Does this mean Russell needs to be home from the bar before
midnight?
(6 February 2003)


Big win for Small Life
NZ film A Small Life won an inspiring 8 awards at the Karachi
International Film Festival (Karafilm). Out of a field of over 75 films, Michael
Heath's "haunting and moving musical" was awarded Best Short Feature,
Best Director, Best Screenplay, Best Actor, Best Actress, Best Cinematography,
Best Editing and Best Music. A unanimous jury declared the film
"perfect."
(20 January 2003)
Two films tower over rest
The Piano
and The Fellowship of the Ring both made SMH's list of the top 100
movies of all time. "For the first time in a century, Hollywood was beaten
in the big budget fantasy stakes. Jackson and his team delivered better special
effects and better story-telling in what could be the new millennium's greatest
epic. And they did it all without leaving New Zealand."
(6 January 2003)


Best supporting instrument
LA Times names The Piano as one of the instrument's most memorable
cinematic tributes in the history of film. "In a category of its own is
Jane Campion's modern-day classic The Piano... [Campion is one who has]
understood - and mined - the dramatic possibilities of this instrument … the
strange poetry of a piano being played on a desolate beach."
(5 January 2003)

Couch potato paradise
Fellowship of the Ring wins "hands down" the best DVD of 2002
according to a New York Times review. "A movie of 208 minutes takes
some tall explaining, but here we develop sympathy for the notion that extra
length is sometimes more tolerable at home, where viewing is more relaxed, than
in a theatre."
(3 January 2003)
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Uggly in pink
LA Times profiles that old Kiwi
staple, the Ugg Boot, which – thanks to appearances on Sex & the City and
Oprah – has been elevated from surfer’s necessity to fashion accessory.
“They're selling at marked-up prices on EBay. They are seriously hard to find,
especially in pinks and blues and beiges.”
(25 December 2003)

How much do I love thee? Let me count the ways...
The Guardian asks LotR cast
members to explain their widely publicised admiration for NZ. Billy Boyd (Pippin): "The
land feels new; it feels like what Scotland might have been like a few million
years ago; it's still forming." Bernard Hill (Theoden): "The west coast of South
Island was one of my favourite places, north of the Fjords around the Franz
Joseph Glacier. It's really hard to describe why it's special; you just get it
when you go there." Sir Ian McKellen (Gandalf): "I first thought - a year in New
Zealand, great chance to visit Australia! But then almost immediately I found I
was moving round the most beautiful country in the world with the most amazing
variety of scenery. I fell in love in New Zealand. It's the most advanced nation
socially that I know of."
(13 December 2003)

Kia ora fellows
For the international family of actors, surfing at Lyall Bay, brunching at
Chocolate Fish Cafe, the Wellington premiere was thankgiving for the city and
people who have embraced them as locals during the epic shoot. Viggo Mortensen,
a barefoot Cuba St regular, opened a photo exhibition
of his work at
Wellington's City Art Gallery and was humbled by the parade: "I keep
hearing a voice in my head saying 'remember this, remember this'." Elijah
Wood: "Four years of my life, and now here in Wellington for the last
premiere, it's pretty extraordinary." Hugo Weaving (Elrond): "I love
working here so much. I secretly switched allegiance to supporting the Kiwis in
the World Cup". The whanau leaves Wellington airport
above.
(December 2003)


Xena and her sisters
Ex-Warrior Princess, Lucy Lawless, was the obvious choice to front a
Discovery Channel documentary series on women fighters in history.
Warrior Woman features Joan of Arc, China’s Wang Cong’er (the inspiration
behind Disney flick, Mulan), Boudica of Britain, Irish pirate Grace O’Malley,
and Apache warrior, Lozan. “These women have been written out of history,
largely,” says Lawless, who shows off her own impressive sword skills in a duel
with an Irish weapons master. Toronto Star: “… who better to present
these unsung heroines than the woman who became an international icon as their
fictional sword-swinging sister, Xena?”
(18 November 2003)


Black sheep and proud of it
Jane Campion discusses love, Hollywood, and women directors with Harpers & Queen. “Jane Campion seems to have the wrong name.
‘Jane’ is one of those names that belongs to girls who play skipping-rope, while
‘Campion’ is reminiscent of that delicate wild flower of country lanes, the pink
campion. The 49-year-old New Zealander has a mass of thick, strong hair, an
unflinching gaze, and facial bone structure that could have been hewn from stone
to resemble a pagan mask. You certainly wouldn’t want to be in the same room as
this woman when she got pissed off at one of her Hollywood people … Once you’ve
got used to the fiery Medusa Campion, you start to notice another quality that
is a strong part of her make-up – something that could be wisdom, or perhaps a
type of inner calm.” Campion revels in her outsider status: “Oh, Hollywood loves its mavericks; it loves its black sheep. They’re
always trying to bring them into the fold. They don’t know how to breed
originality so they buy it. And I’m not for sale – so they leave me alone.”
(November 2003)

Gracious in their success
As their compatriots continue to climb the ranks in Hollywood – think Nicole
Kidman, Geoffrey Rush, Naomi Watts, and Hugh Jackman – the Australian public has
decided to toss a few honorary countrymen back our way. SMH: “One
advantage of this surplus of success Over There is that Australia can now give
up its claim to Mel Gibson, and allow him to be the New Yorker he always was. We
should also feel free to let Sam Neill be a New Zealander. But we'll hang onto
Russell Crowe for the time being, at least until we see the box office figures
for the naval epic Master and Commander (directed by our own Peter Weir). If it
flops, Russell is from Wellington.”
(22 October 2003)

 Let's talk about sex
"Jane Campion has made an incredibly sexy movie, and she knows
it." Further cinematic exploration along the edge of the erotic, In the Cut debuted at September’s Toronto Film Festival, stirring up as much praise as it did
controversy. While some critics focussed on the film’s explicit sex scenes
and
Meg Ryan’s against-type casting, others lauded it. Guardian
finds Campion working in a genre of her own devising: “a thrilling return to form, [Campion’s]
best film since The Piano … [Its] visual design and sexy gutsiness mess with the
thriller formula, denying the audience the predictable narrative arc and
familiar props in favour of a retuned world that is, well, Campionesque.” In The
Observer Campion is interviewed about sex, repression, getting older and
women in film: "Campion, too, is a pretty sexy dame. At 49, she is, she
says, "a big advocate of all things female". "I love women and I
love being a woman, and I think it gets even better as you get older. I don't
think you know what you are when you're younger. Getting older, I do know why
it's unique, why men love it, and I'm friends with that quality."
(10 October 2003)

Making the cut, taking a break
Jane Campion has been welcomed back by cinema critics and audiences after a 4
year break between films, with her harrowing thriller/love story, In the Cut.
USA Today describes the film as “a bleak walk on the wild side into a
neo-noir hell … [by] Campion, known for searing dissections of the female
psyche,” while the Seattle Times calls Campion “one of the more fearless
minds in cinema.” In the Cut was the closing feature at an
Antipodean film
festival in St Tropez and Campion was the keynote speaker at Seattles’s 'Felliniana'
– a celebration of iconic filmmaker, Federico Fellini. Campion has decided to take a 4-year
sabbatical: “It's something I've been dreaming about for a few years. I'm
almost 50 now and I've been working in the industry for 20 years … I actually
think I've satisfied myself enough career-wise to really love doing nothing.”
(October 2003)


Multi-layered myth-making
Japan Times review places Niki Caro’s Whale Rider alongside
Once Were Warriors and The Piano as one of the pivotal moments in NZ
cinema. “…Caro presents myth both as a connection with a deeper, mystical
understanding of the world as well as a pragmatic parable, a code for living
that transcends generations, providing stability and continuity, a metaphor for
understanding our lives.” The film's lead Keisha Castle Hughes,
has recently been cast as a “regal leader” in the latest Star Wars instalment,
(10 September 2003)


"Kiwi directors dominate 47th London Film Festival"
Guardian film critic Xan
Brooks: "There is a distinct Kiwi flavour to this year's London Film
Festival, which will open and close with films by New Zealand directors." NZ directors Jane Campion and Christine Jeffs are to provide the
bookends with Campion's erotic journey into an underworld NYC, In
the Cut, and Jeffs' Sylvia Plath biopic, Sylvia.
(4 September 2003)


Weta's secrets revealed
Te Papa's record-breaking Lord
of the Rings exhibition opens at London's Science Museum in September - it's
only European showing before travelling to Singapore, Sydney, and Boston. The
exhibition focuses on Weta Digital's FX wizardry and includes interactive
technology, life size models, and behind-the-scenes transformations. Says museum
head, Jon Tucker, "We think this exhibition will be absolutely huge, and
fans will be flocking to see it."
(7 July 2003)


Sing bravo bravo
Whale Rider praise swells in both broadsheet and tabloid reviews on its
UK premiere. Daily Telegraph: "Bereft of name actors, supersaturated
colours and egregious product placements, it shows us that another kind of
film-making is possible. One that values ideas, emotions, real characters. One
where the beating of a human heart is louder than the clamour of a thousand
speeding space buggies." Empire: "combines classic themes with
a little-seen cultural perspective to come up with an uplifting
crowd-pleaser." The Mirror: "A
beautiful, uplifting, fabulous, once-in-a-generation production that instantly
restored my fading faith in movie making." Observer: "Castle-Hughes is an appealing and yearning
presence, and gives one of the most affecting performances by a child these past
couple of years." Not all enjoyed the ride however; the Guardian critic
calling it "a cross between Free Willy and a 90-minute Benetton ad."
(July 2003)


Lady Ngila
"The costume designer
deserves a knighthood." Award-winning Kiwi costumier, Ngila Dickson,
receives nameless praise in Empire magazine for her "impressive
rendering of 19th century Japan" in previews of Tom Cruise's The Last Samurai - which
recently finished filming in Taranaki.
(13 June 2003)

Hunter in denial
Rachel Hunter has won a role
in Britain's eagerly anticipated version of Sex & the City - Denial.
The show, which has been at the centre of an international bidding war, is being
touted as "the hottest thing to hit British TV in a long while."
Hunter plays a socialite in the series, which began filming June 16.
(3 June 2003)


Whale riding on east (and west) coast
NYTimes'
critic Elvis Mitchell praises Niki Caro's Whale Rider as having
the "inspired resonance of found art [...] wickedly absorbing", and
the quiet charisma of actress Keisha Castle-Hughes.The film along with fellow NZ
product Her Majesty screened at the 2nd
annual Tribeca Film Festival in New
York, selling out well before the festival's opening date. The film won the World Cinema
Audience Prize at the high-profile Robert De Niro-helmed event, fresh from claiming the equivalent award at the 46th
Annual San Francisco Film Festival.
(3 May 2003)


Celebrating Kiwi-ness
Countless international critics have praised the universal themes explored in
Niki Caro's Whale Rider; what a reviewer for the Age finds most
impressive is its quintessential Kiwi-ness. "Whale Rider sounds like
it could be Disney Down Under, The Lion King set to the thump of the haka. In fact it is not a bit like that. Telling the bare bones of the story …
leaves out the absolutely crucial New Zealandness of Whale Rider's world.
Realism enfolds the mythic story so completely that neither the search for a
chief nor the myth of the first whale rider seems at all arcane. They are just
Kiwi things, like a Steiny after a game of cricket."
(3 May 2003)

X-factor
Anna Paquin featured in New York Daily News, one of numerous high-profile
interviews given during her hectic promotional tour for X-Men 2.
Currently finishing an English major at Columbia between films, Paquin's next
plan is to take a much-needed break from Hollywood and return to theatre work.
"I would just love to be in New York for a while working … to go home at
the end of the day, hang out with my friends, just have a regular life."
(28 April 2003)


Wellywood weighs in
An Anna Fifield Financial Times feature reviews the remarkable growth of the NZ film industry in the wake
of its latest coup: Peter Jackson's King Kong. "For the country's
film industry, the project marks the latest episode in its rapid development
from a niche film location to one for the classic blockbuster." The debate
continues over whether or not international films should be offered tax breaks
as further incentive to shoot here and whether the international influx is at the
neglect of native story-telling.
(4 April 2003)


Edge intelligence: Donaldson delivers
Observer reviews The Recruit, the latest Hollywood offering from
one of NZ cinema's pioners, LA-based Roger Donaldson. "Slick and highly
enjoyable … scenes of induction and seduction have an almost documentary feel
and the dialogue crackles … Donaldson keeps the movie charging along like an
angry rhino." The CIA thriller stars Al Pacino and Colin Farrell.
(23 March 2003)


Hollywood hits the west coast
A charity screening of Andrew Niccol's Simone was held in his hometown of
Paraparaumu, March 24. According to father Don Niccol, Simone "cocks
a snook" at Hollywood by attacking "several dearly held Hollywood
clichés." Proceeds from the event will be donated to the Malaghan
Institute of Medical Research.
(12 March 2003)

Saint Cruise of Taranaki
Tom Cruise - Taranaki's favourite adoptive son - has come to the financial aid
of a local school. The Edge radio station had offered $5,000 to whoever could
get the Hollywood star on air. Cruise promptly called in and offered to match
the price if stakes were upped to $7,000. He then donated his prize-money to
Urenui junior school, which has been fundraising for an outside shelter.
(12 February 2003)


Reel-time direction
NZ-born Rodney Charters (The Pretender, Roswell) is the directing force
behind the latest US television sensation, 24. Described as "a
heart-stopping hit," the 24 hour-long episodes represent one day in the
life of Jack Bauer (Kiefer Sutherland). Says co-star Sarah Wynter: "We're
challenged by the real-time format … I feel like I'm making a one-hour film
every week."
(8 February 2003)


Precious guests
Gollum and his maker are to share
star-billing at the University of Teesside's annual animation festival. Weta Digital's lead animator, Jason
Schleifer, will be on hand to deliver a series of lectures and workshops.
(28 January 2003)


Hobbits air-borne
Air New Zealand has launched its
second "hobbit plane" with a maiden voyage to Los Angeles. The
fuselage features Rings characters Aragorn and Arwen, as well as picturesque NZ
scenery, in a canny marketing partnership with New Line Cinema. The "Frodo
and Sam" plane was unveiled in December.
(25 January 2003)

Edge-istential cinema
NZ filmmaker Andrew Niccol is again poised to "[draw] filmgoers into
audacious mind games" with his latest feature Simone. Like previous
projects Gattaca and The Truman Show, Simone explores the
complicity of the media and general public in creating icons out of illusions:
in this case, the computer generated actress of the film's title. SMH:
"[Simone] is spiced with enough barbed wit aimed squarely at the
Hollywood myth-making machinery to make a less confident artist anxious about
never eating lunch in a certain town again." Read the NZEDGE profile on
Niccol here.
(25 January 2003)


Precious acclaim: two films tower over rest
"For the first time in a century,
Hollywood was beaten in the big budget fantasy stakes. Jackson and his team
delivered better special effects and better story-telling in what could be the
new millennium's greatest epic. And they did it all without leaving New
Zealand." The Fellowship of the Ring and The Piano both make SMH's
list of the top 100 movies of all time.
(6 January 2003)
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Lions and witches in Kiwiland
Pre-production on The Lion the Witch
and the Wardrobe is officially underway in NZ, with Weta Workshop on board
for the visual effects and Kiwi Andrew Adamson (Shrek) at the helm. The
£62 million project
is the first in a series of 5 films based on C.S Lewis' best-selling Narnia
series. Minister for Industry Development, Jim Anderton, calls it "a
vote of confidence in our country as a location for film and screen production
... it means more opportunities for New Zealanders to learn new skills and find
employment in an exciting and creative industry."
Says Adamson in
USA Today, "I always thought Narnia was real. I don't want to make the
book as much as my memory of the book. Aslan has to be a talking, emoting
character."
(19 December 2003)


The verdicts
The usually art-house sympathetic New
York Film Critics Circle chose Return of the King as their Best
Film of 2003, The American
Film Institute named the film in its top-10 of the year. The New York
Times' Elvis Mitchell: "a prodigious and meticulous vision ... the
product of impressive craft and energy". The Times: "And so it ends, the
greatest film trilogy ever mounted, with some of the most amazing action
sequences committed to celluloid. The Return of the King is everything a Ring
fan could possibly wish for, and much more." The Guardian: "The
Lord of the Rings is undeniably a landmark in cinema history, a creation of
demented, kamikaze passion that all logic suggested should never work and yet
somehow did."
(12 December 2003)



Praise the lord
Peter Jackson: "'He's as cool as an elf, he has
the heart of a hobbit, and he's as mad as a wizard.' That's the awestruck opinion of
Lord Of The Rings star Orlando Bloom [wearing a huffer
t-shirt, above left with Liv Tyler] on a man who has "more prestige than any director in
Hollywood". Actor John (Gimli) Rhys-Davies claims PJ has done more for NZ
than Captain Cook! An
Observer story entitled 'King
Kiwi' backs up the view of Jackson as
Hollywood's most powerful black sheep: "He
has never felt the pull of California and now the studios bosses who probably
once struggled to find NZ on a map are beating a path to his door. It is a stark
measure of how the stout Jackson, who wears shorts without shoes as routinely as
a suit, is not merely the most powerful man outside Hollywood. He is more
powerful than almost anyone inside it too. It is as if his lifelong vow to stand
his ground on home turf has earned him an authority denied those breathlessly
pursuing the rat race."
(01 December 2003)

Russ stands his ground
"I'd move to LA if Australia and NZ were
swallowed up in a huge tidal wave." December cover feature by UK Vanity Fair
finds Russell Crowe firmly rooted Down Under despite being one of
Tinseltown's major players. VF: "Thanks to a considerable amount of
native talent, a lot of hard work, and a shrewd eye for material, Crowe is one
of the few real actors among the select group of Hollywood stars pulling down
something in the neighbourhood of $20 million a picture [...] But for all his
Hollywood pull, Crowe prefers to live here, the far side of the world indeed, at
least as far as the movie business is concerned." Read a transcript of the article
here.
(December 2003)


Hard-edged cinema
Empire magazine applauds
Christine Jeff’s Sylvia – the biopic of American poet Sylvia Plath
starring Gwyneth Paltrow - calling it “a moving and supremely acted account of
the writer's life, her volatile relationship and the difficulties she faced as a
woman in the late fifties and early sixties […] the film treads reverently
around its literary origins and displays an enthusiastic affection for its
subjects.” Further praise is found in the Feb '04 edition of
Australian Vogue: "This much
anticipated film is well told and beautifully designed, with 60 |