Ocean’s 11 = Moonshine

Ernest Rutherford’s musings on the improbability of the development of nuclear weapons because of the large scale industrial resource needed to do so act as a trope for Phillip Kerr’s New Statesman review of the heist film Ocean’s Eleven. Kerr finds larger than atomic holes in the Steven Soderburgh remake of a Rat Pack original brought into the C21st as a laptop caper starring Clooney, Pitt and Roberts. “It’s the equivalent for the screenwriter of the “Get out of Jail Free” card in Monopoly. Or, as Ernest Rutherford might have described it, “moonshine”.


Tags: Brad Pitt  Ernest Rutherford  George Clooney  Julia Roberts  New Statesman  nuclear physics  nuclear weapons  Ocean's Eleven  Phillip Kerr  Rat Pack  Steven Soderburgh  

Emilia Wickstead Helping Airline Make an Impression

Emilia Wickstead Helping Airline Make an Impression

Around the globe, airlines and hotels are collaborating with top fashion houses to reshape brand narratives, like Air New Zealand and their partnership with London-based Emilia Wickstead. Condé Nast Traveler’s Caitlin…